Showing posts with label Gentlemen Broncos. Show all posts
Showing posts with label Gentlemen Broncos. Show all posts

Sunday, November 8, 2009

Movie with Abe: Gentlemen Broncos

Gentlemen Broncos
Directed by Jared Hess
Released October 30, 2009

Sometimes it seems that the process of making a movie is infinitely better than the finished product. That’s almost certainly the case for the new film from Jared Hess, director of “Napoleon Dynamite” and “Nacho Libre.” To hear the cast and the hilarious Hess talk about it, the movie was a blast. There’s one incredible, film-stealing performance in “Gentlemen Broncos,” the story of a young sci-fi writer named Benjamin whose story is stolen by his idol, but otherwise it just doesn’t work, and hearing about it is far more fulfilling than actually viewing it.

Hess and producer Mike White, who also costars as Benjamin’s church-sponsored Guardian Angel, discuss how enjoyable it was to make Hess’ third project. Regarding “Gentlemen Broncos,” White, who previously collaborated with Hess on his second film, “Nacho Libre,” stresses that “had ‘Napoleon Dynamite’ not been a success, it might have been hard, since the script was just as bonkers as the movie.” Hess was thrilled with the reception of his first film, citing how “you make a film and hope that there are people out there who like you.” Audiences fell for the geeky Napoleon and voted for Pedro back in 2004. Now, Hess’ newest film is a bit smarter in concept but just as devastatingly not deft as this first.

There’s a theme of depravity that runs through “Gentlemen Broncos” and leaves no character unaffected. The hero figure is the sheepish Benjamin (Michael Angarano), who can’t seem to catch a break and continually gets stomped on by everyone he encounters. Benjamin’s mother Judith (Jennifer Coolidge) and his Guardian Angel (White) are kind-hearted enough who don’t possess a thread of intelligence. Benjamin’s writers’ camp buddies Tabatha (Halley Feiffer) and Lonnie (Hector Jimenez) don’t ever really seem to connect with him, and their superficial interactions and airy conversations make it clear that they’re off in their own weird world. Movies which involve one character continually getting crapped on can be effective, like two radically different examples, “Meet the Parents” and “A Serious Man,” but there’s a limit to the acceptable amount of continuous failure and disappointment that one character, not to mention one moviegoer, can endure.

And then there’s Jemaine Clement. The “Flight of the Conchords” bandmate portrays the eternally Bluetooth-sporting extremely cheesy sci-fi cult writer Ronald Chevalier, Benjamin’s idol. His character is relentlessly over-the-top and absolutely devoid of morals. Yet somehow the impossibly hilarious Clement takes every small moment and overdoes it to a magnificent level. As a result, he’s far and away the funniest part of a movie that just isn’t very funny. Fellow cast members all agree that he’s extraordinarily funny, and he shares that quality with Hess, whose directing style involves spot-on voice impressions of how the actors should deliver their lines. “For me, I have to perform and then tell them to copy me,” he says. White describes him as “the camp counselor you wish you had,” adding that he possesses a “paternalistic maturity.”

There’s no doubt that that Hess and Clement are hilarious, and the rest of the cast is having a ball. It’s as if the audience simply isn’t in on the joke. The awful sci-fi subplot of the film, split into three versions – Benjamin’s imagined visualization of his novel, Chevalier’s modified imagined visualization, and Tabatha and Lonnie’s low-budget filmed version – contains some dutiful references, but in the end it’s far too preposterous for its own good. Unlike classic, trashy, campy sci-fi like “Zardoz,” this story knows it’s bad, in all of its renderings, and that’s not a good thing. Similarly, the movie tries to play all of its characters too outlandishly, and the intersection of all those crazy personalities isn’t pretty. Clement is acting in a movie all his own, and that’s terrific, but as a whole, “Gentlemen Broncos” is just one big mess.

C-

Wednesday, November 4, 2009

Wednesday Oscar Watch with Abe

Welcome to a new weekly feature here at Movies with Abe, Wednesday Oscar Watch with Abe. It’s a bit early to be able to accurately predict the eventual Oscar nominees, but around this time, plenty of likely contenders are being released. I’ll be looking every Wednesday at the awards chances for all of the films released the previous week. Until I begin my official predictions, I’ll be adding and removing contenders as their popularity, buzz, or reviews rise and fall. Chime in with your thoughts on the Oscar chances for these films in the comments section.

This week doesn’t look too promising, but here’s a quick rundown of what came out this week, and why all of it won’t end up with Oscar nominations. Next week definitely has some major contenders, so be here for that next Wednesday!

Michael Jackson’s This Is It
This look at the final months of Michael Jackson’s life has attracted much attention since before its release, and it opened to mostly favorable reviews. It’s an interesting case because it’s not eligible in the Best Documentary race, which has an eligibility period that ends in September, but it is eligible for Best Picture. Tom O’Neil has a post where an Oscar voter declares it a lock and says the reception at an Academy screening was more positive than it was for 2002’s Best Picture winner, “Chicago.” I have a hard time believing that this film can really make it that far, especially considering how “Fahrenheit 9/11” shot for the Best Picture race in 2004 and ended up getting shut out completely. I think this film will have faded into the back of most people’s memories by the time Oscar voting rolls around.

Skin
This small film about apartheid didn’t receive a wide release or overwhelmingly positive reviews. Its one chance at a nomination, which almost definitely won’t happen, is lead actress Sophie Okonedo, who is a previous nominee for “Hotel Rwanda” back in 2004. Her inclusion back then came as a bit of a surprise, but her film had stellar reviews and another acting nominee in Don Cheadle. All this film really has is a thumbs-up review from me.

The House of the Devil
Horror movies never get nominated for Oscars, with four notable exceptions: “Rosemary’s Baby,” “The Exorcist,” “The Silence of the Lambs,” and “The Sixth Sense” (did I miss anything?). This one doesn’t really compare to any of those, but it’s worth noting that it has received an extremely positive reception, and that it’s being cited as a great throwback to classic 80s horror movies. Did those garner Oscar attention? No. Will this one? No. But it’s still got good buzz going for it.

Two films – “Boondock Saints” and “Napoleon Dynamite” – developed cult followings when they were first released but didn’t end up on Oscar shortlists. Their follow-ups, The Boondock Saints II: All Saints Day, the sequel to the first film, and Gentlemen Broncos, Jared Hess’ latest attempt at making stupidity funny, have been universally maligned and should consider themselves lucky to escape Razzie attention. Don’t expect much for Labor Day or Waiting for Palladin either, if you’re one of the ten people who’s heard of either of them (and not part of the five who despised both).

Be sure to come back next Wednesday for a look at this Friday’s theatrical releases and their Oscar chances. And remember to offer your thoughts on the chances for these films in the comments!