Friday, February 3, 2012

Movie with Abe: Perfect Sense


Perfect Sense
Directed by David Mackenzie
Released February 3, 2012

There are plenty of movies about virus outbreaks. Most often set in the not-too-distant future, an unknown pathogen spreads that somehow robs society of some precious aspect or element previously taken for granted. 2006’s “Children of Men” is one of the best examples, portraying a world ten years from now where women can no longer have children. “Perfect Sense” takes place in a time that could easily be tomorrow, where chef Michael (Ewan McGregor) and scientist Susan (Eva Green) are drawn to each other as humanity begins to lose each of its senses one at a time. It’s a mesmerizing doomed romance, elevated by the power of its portrayal of the fleeting senses.

Making Michael a chef and Susan a scientist positions the film to have a special insight into the rapidly spreading disease, as Susan researches its effects and Michael experiences them as he must adapt to cooking without the sense first of smell and then of taste. It adds considerable weight to the significance of the virus, especially as both Michael and Susan are helpless to stop it from overtaking their own faculties. Their relationship begins just as smell departs their universe, and they are drawn closer as they find themselves increasingly handicapped by disappearing senses.

Where “Perfect Sense” truly succeeds in its depiction of how senses are lost. The first to go, smell, is described as creating a moment of incredible sadness, followed by a complete absence of the sense. Random people throughout the world are shown experiencing this, and then it happens to first Susan and then Michael. It’s a moving, tragic scene replayed over and over, and it repeats when the next sense is gone, this time preceded by a vile, vicious hunger and resulting in the loss of taste. While the science might not be solid, it makes for immensely impactful showcases of uncontrollable human nature. It also provides the opportunity for immense creativity, as one street performer recalls the memories formerly associated with smell through music.

Ewan McGregor and Eva Green are essentially the only real stars of “Perfect Sense,” as the film narrows in and focuses on them despite the epidemic plaguing the entire world. McGregor’s Michael is typically kind-hearted and sweet, while Green’s Susan is effortlessly seductive and equally sardonic, unenthusiastic about their relationship ever getting off the ground. The film is supplemented by a beautiful score from composer Max Richter, weaving a melancholy tale of their love. The movie is at times affirming, ultimately bleak and depressing, and thoroughly engaging and worthwhile throughout.

B+

AFT Awards: Best Art Direction


This is the eighth category of the 5th Annual AFT Film Awards to be announced. The AFT Awards are my own personal choices for the best in film of each year and the best in television of each season. The AFT Film Awards include the traditional Oscar categories and a number of additional specific honors. Nominees are pictured in the order I’ve ranked them and drawn from a pool of approximately 138 Films. Click here to see previous years of this category.

Runners-up:
Beginners
The Artist
Romantics Anonymous
Shame
Submarine
Tinker, Tailor, Soldier, Spy


The winner:
In a Better World (Lene Ejlersen & Mathias Holmgreen) animated its bleak settings with color schemes and mesmerizing visuals.

Other nominees:
Drive (Christopher Tandon & Lisa K. Sessions)
Hugo (Dante Ferretti & Francesca Lo Schiavo)
Melancholia (Simone Grau & Louise Drake)
In the Land of Blood and Honey (Zsuzsanna Borvendég, Arwel Evans & Jon Hutman)

AFT Awards: Best Cinematography


This is the seventh category of the 5th Annual AFT Film Awards to be announced. The AFT Awards are my own personal choices for the best in film of each year and the best in television of each season. The AFT Film Awards include the traditional Oscar categories and a number of additional specific honors. Nominees are pictured in the order I’ve ranked them and drawn from a pool of approximately 138 Films. Click here to see previous years of this category.

Runners-up:
Hugo
Beginners
Extremely Loud and Incredibly Close
The Tree of Life
Melancholia
Tinker, Tailor, Soldier, Spy


The winner:
In a Better World (Morten Soborg) was visually magnetic and derived much of its emotional impact from its stunning lensing.

Other nominees:
The Artist (Guillaume Schiffman)
Drive (Newton Thomas Sigel)
Take Shelter (Adam Stone)
Shame (Sean Bobbitt)

Thursday, February 2, 2012

AFT Awards: Best Adapted Screenplay


This is the sixth category of the 5th Annual AFT Film Awards to be announced. The AFT Awards are my own personal choices for the best in film of each year and the best in television of each season. The AFT Film Awards include the traditional Oscar categories and a number of additional specific honors. Nominees are pictured in the order I’ve ranked them and drawn from a pool of approximately 138 Films. Click here to see previous years of this category.

Honorable mentions (in alphabetical order):
The Adjustment Bureau, Captain America: The First Avenger, Everything Must Go, Sherlock Holmes 2: A Game of Shadows, Tinker, Tailor, Soldier, Spy

Runners-up:
Drive
Carnage
The Adventures of Tintin
The Help
The Descendants


The winner:
Extremely Loud and Incredibly Close (Eric Roth) was an affecting, energizing saga of a young boy’s search for answers.

Other nominees:
Moneyball (Stan Chervin, Aaron Sorkin, Steven Zaillian)
The Skin I Live In (Pedro & Agustin Almodovar)
Turn Me On, Goddamit (Jannicke Systad Jacobsen)
Submarine (Richard Ayoade)

AFT Awards: Best Original Screenplay


This is the fifth category of the 5th Annual AFT Film Awards to be announced. The AFT Awards are my own personal choices for the best in film of each year and the best in television of each season. The AFT Film Awards include the traditional Oscar categories and a number of additional specific honors. Nominees are pictured in the order I’ve ranked them and drawn from a pool of approximately 138 Films. Click here to see previous years of this category.

Honorable mentions (in alphabetical order):
Bridesmaids, Cedar Rapids, Crazy Stupid Love, Horrible Bosses, Romantics Anonymous, Shame, Take Shelter, Terri, The Whistleblower, Tucker and Dale vs. Evil, Warrior, When We Leave, Win Win

Runners-up:
The Guard
Griff the Invisible
Peep World
Happy, Happy
Young Adult


The winner:
Beginners (Mike Mills) was a lovely, charming, and impossibly alluring love story with a superb perspective on the world.

Other nominees:
The Artist (Michel Hazanavicius)
A Separation (Asghar Farhadi)
In a Better World (Susanne Bier & Anders Thomas Jensen)
Certified Copy (Abbas Kiarostami)

AFT Awards: Best Actress in a Supporting Role


This is the fourth category of the 5th Annual AFT Film Awards to be announced. The AFT Awards are my own personal choices for the best in film of each year and the best in television of each season. The AFT Film Awards include the traditional Oscar categories and a number of additional specific honors. Nominees are pictured in the order I’ve ranked them and drawn from a pool of approximately 138 Films. Click here to see previous years of this category.

Honorable mentions (in alphabetical order):
Emily Blunt (The Adjustment Bureau), Janet McTeer (Albert Nobbs), Kate Winslet (Carnage), Anne Heche (Cedar Rapids), Shailene Woodley (The Descendants), Carey Mulligan (Drive), Jessica Barden (Hanna), Maibritt Saerens (Happy Happy), Octavia Spencer (The Help), Evan Rachel Wood (The Ides of March), Gugu Mbatha-Raw (Larry Crowne), Keira Knightley (London Boulevard), Sareh Bayat (A Separation), Jessica Chastain (Take Shelter), Katrina Bowden (Tucker and Dale vs. Evil), Amy Ryan (Win Win

Runners-up:
Bryce Dallas Howard (The Help)
Carey Mulligan (Shame)
Anna Kendrick (50/50)
Emma Stone (Crazy Stupid Love)
Jodie Whittaker (Attack the Block)

The winner:
Mélanie Laurent (Beginners) was effortlessly magnetic as a fleeting love interest who captivated Oliver before she even spoke a word.

Other nominees:
Bérénice Bejo (The Artist) fit in with the times perfectly as a bubbly and excitable budding silent film star. Jessica Chastain (The Help) was wacky but just reserved enough to be believable as the kind-hearted if peculiar Celia Foote. Maeve Dermody (Griff the Invisible) was magnetic and irresistible with her unique worldview and fascination with the title character. Kate Mara (Peep World) stood out in a strong ensemble with her peppy yet grounded attitude and allure.

Wednesday, February 1, 2012

AFT Awards: Best Actor in a Supporting Role


This is the third category of the 5th Annual AFT Film Awards to be announced. The AFT Awards are my own personal choices for the best in film of each year and the best in television of each season. The AFT Film Awards include the traditional Oscar categories and a number of additional specific honors. Nominees are pictured in the order I’ve ranked them and drawn from a pool of approximately 138 Films. Click here to see previous years of this category.

Honorable mentions (in alphabetical order):
John C. Reilly (Carnage), Christoph Waltz (Carnage), Ryan Gosling (Crazy Stupid Love), Don Cheadle (The Guard), Liam Cunningham (The Guard), Mark Strong (The Guard), Henrik Rafaelsen (Happy Happy), Joachim Rafaelsen (Happy Happy), Kevin Spacey (Horrible Bosses), William Johnk Nielsen (In a Better World), Markus Rygaard (In a Better World), Paul Giamatti (The Ides of March), Philip Seymour Hoffman (The Ides of March), Kevin Spacey (Margin Call), Rainn Wilson (Peep World), Shahab Hosseini (A Separation), Benedict Cumberbatch (Tinker Tailor Soldier Spy), Colin Firth (Tinker Tailor Soldier Spy), Mark Strong (Tinker Tailor Soldier Spy), Ezra Miller (We Need to Talk About Kevin), Patton Oswalt (Young Adult)

Runners-up:
John C. Reilly (Cedar Rapids)
Jeremy Irons (Margin Call)
Kiefer Sutherland (Melancholia)
Stellan Skarsgard (The Girl with the Dragon Tattoo)
Jonah Hill (Moneyball)

The winner:
Christopher Plummer (Beginners) was delightfully spry and charming as a 75-year-old man who realized that he was gay and started trying to live his life in new and exciting ways.

Other nominees:
John Hurt (Tinker, Tailor, Soldier, Spy) was prickly, paranoid, and entirely superb as head honcho Control. Kenneth Branagh (My Week with Marilyn) imbued his Laurence Olivier with bravado, prestige, and a magnificent impatience for his blonde costar. Max Von Sydow (Extremely Loud and Incredibly Close) conveyed considerable emotion in his mute performance as a mysterious and kindly stranger. Viggo Mortensen (A Dangerous Method) was calm, deliberate, and formidable as Sigmund Freud.

AFT Awards: Best Actress in a Leading Role


This is the second category of the 5th Annual AFT Film Awards to be announced. The AFT Awards are my own personal choices for the best in film of each year and the best in television of each season. The AFT Film Awards include the traditional Oscar categories and a number of additional specific honors. Nominees are pictured in the order I’ve ranked them and drawn from a pool of approximately 138 Films. Click here to see previous years of this category.

Honorable mentions (in alphabetical order):
Kristen Wiig (Bridesmaids), Jodie Foster (Carnage), Juliette Binoche (Certified Copy), Jessica Chastain (The Debt), Helen Mirren (The Debt), Harmony Santana (Gun Hill Road), Viola Davis (The Help), Zana Marjanovic (In the Land of Blood and Honey), Judy Marte (Maria My Love), Alana Kearns-Green (Mary Marie), Alexandra Roxo (Mary Marie), Kirsten Dunst (Melancholia), Charlotte Gainsbourg (Melancholia), Anne Hathaway (One Day), Elena Anaya (The Skin I Live In), Isabelle Huppert (Special Treatment), Yasmin Paige (Submarine), Tilda Swinton (We Need to Talk About Kevin), Rachel Weisz (The Whistleblower), Charlize Theron (Young Adult)

Runners-up:
Isabelle Carré (Romantics Anonymous), Mélissa Désormeaux-Poulin (Incendies), Elizabeth Olsen (Martha Marcy May Marlene), Leila Hatami (A Separation), Sibel Kekilli (When We Leave

The winner:
Agnes Kittelsen (Happy, Happy) projected an image of energetic joy in her portrayal of an unhappily married but perky woman.

Other nominees:
Meryl Streep (The Iron Lady) was firm, fiery, and fully immersed in her interpretation of Margaret Thatcher. Rooney Mara (The Girl with the Dragon Tattoo) added an unexpected comic tone to her antisocial hacker protagonist. Helene Bergsholm (Turn Me On, Goddamit) was nuanced and subtle in her portrayal of a deeply rebellious teen. Charlize Theron (Young Adult) was hilarious as the world’s biggest bitch, never remotely ashamed in her delivery.