Every Friday, I'll be uploading a Minute with Abe: Weekend Movie Recommendations Edition, surveying new releases in theaters, on DVD, and on streaming services. Check it out, and subscribe to the movieswithabe channel!
Keira Knightley dependably anchors a journalism-driven serial killer thriller, “Boston Strangler,” now streaming on Hulu. I reviewed the film for Above the Line - head over there to read my review.
I spoke with director Lindsay MacKay about one of the best films I saw at TIFF last year, “The Swearing Jar,” which made its premiere at SXSW in the Narrative Spotlight section. Check out the interview at Above the Line.
I had a very interesting conversation about clothing and storytelling with costume designer Tere Duncan, who worked on “A Good Person,” now playing in theaters. Check out the interview at Below the Line.
Florence Pugh stars in Zach Braff’s latest film, “A Good Person,” now playing in theaters. I reviewed the film for CinemaDailyUS.com - head over there to read my review.
Every Friday, I'll be uploading a Minute with Abe: Weekend Movie Recommendations Edition, surveying new releases in theaters, on DVD, and on streaming services. Check it out, and subscribe to the movieswithabe channel!
Brittany Snow makes a strong directorial debut with “Parachute,” making its world premiere in the Narrative Feature Competition. I reviewed the film for CinemaDailyUS.com - head over there to read my review.
A fear of flying makes for over-the-top comedy fare in “Northern Comfort,” making its world premiere in the Narrative Spotlight section. I reviewed the film for CinemaDailyUS.com - head over there to read my review.
I spoke with director Tony Tost about his debut feature film “Americana,” which made its premiere at SXSW in the Narrative Spotlight section. Check out the interview at Above the Line.
I had the chance to speak with Luke Gilford about his directorial debut, “National Anthem,” ahead of its SXSW premiere. We met in person at another screening during the festival and he was very warm. Watch our conversation in full below and check out my review.
Kiersey Clemons delievers a tour de force performance as “The Young Wife,” making its world premiere in the Visions section. I reviewed the film for The Film Experience - head over there to read my review.
A prominent First Lady is heard in her own voice in “The Lady Bird Diaries,” making its world premiere in the Documentary Spotlight section and coming soon to Hulu. I reviewed the film for FilmFactual - head over there to read my review.
Jake Jonhson makes his directorial debut with “Self Reliance,” making its world premiere in the Narrative Spotlight section. I reviewed the film for Above the Line - head over there to read my review.
Elizabeth Chai Vasarhelyi and Jimmy Chin explore love and conservationism in “Wild Life,” making its world premiere in the Documentary Spotlight section and coming to theatres and streaming beginning in April. I reviewed the film for AwardsWatch - head over there to read my review.
I was not particularly fond of “Down Low,” making its world premiere in the Narrative Spotlight section. I reviewed the film for FilmFactual - head over there to read my review.
Tilda Swinton and Julio Torres are a hilarious pair in “Problemista,” making its world premiere in the Headliners section. I reviewed the film for Above the Line - head over there to read my review.
Megan Stalter is a captivating, comedic wrecking ball in “Cora Bora,” making its world premiere in the Narrative Spotlight section. I reviewed the film for AwardsWatch - head over there to read my review.
Claudia Restrepo and Derrick DeBlasis delight in “Peak Season,” making its world premiere in the Narrative Spotlight section. I reviewed the film for FilmFactual - head over there to read my review.
Emma Seligman and Rachel Sennott reunite with “Bottoms,” making its world premiere in the Headliners section. I reviewed the film for Above the Line - head over there to read my review.
An important TV trailblazer takes center stage in “Being Mary Tyler Moore,” making its world premiere in the Documentary Spotlight section and coming to HBO in May. I reviewed the film for CinemaDailyUS.com - head over there to read my review.
Zoë Chao and Anthony Mackie make a fantastic pair of astronauts in “If You Were the Last,” making its world premiere in the Narrative Spotlight section. I reviewed the film for AwardsWatch - head over there to read my review.
Zosia Mamet and Aristotle Athari anchor a fantastic sci-fi romance in “Molli and Max in the Future,” making its world premiere in the Visions section. I reviewed the film for FilmFactual - head over there to read my review.
Real-life father-daughter Ewan and Clara McGregor star in “You Sing Loud, I Sing Louder,” making its world premiere in the Narrative Spotlight section. I reviewed the film for Above the Line - head over there to read my review.
William Shatner waxes philosophical about life in “You Can Call Me Bill,” making its world premiere in the Documentary Spotlight section. I reviewed the film for CinemaDailyUS.com - head over there to read my review.
Rachel Sennott is spectacular in “I Used to Be Funny,” making its world premiere in the Narrative Feature Competition. I reviewed the film for AwardsWatch - head over there to read my review.
An immigration issue takes on an interesting trajectory in “Upon Entry,” making its world premiere in the Narrative Spotlight section. I reviewed the film for FilmFactual - head over there to read my review.
The popular cheeto gets a wild origin story in “Flamin’ Hot,” making its world premiere in the Headliners section and coming to Hulu and Disney+ in June. I reviewed the film for Above the Line - head over there to read my review.
Karen Gillan delivers as usual in “Late Bloomers,” making its world premiere in the Narrative Feature Competition. I reviewed the film for CinemaDailyUS.com - head over there to read my review.
The difficulty of teenage years get a new twist in “Bloody Hell,” making its world premiere in the Narrative Spotlight section. I reviewed the film for The Film Experience - head over there to read my review.
Emotions get to live on the outside in an alternative imagined world in “With Love and a Major Organ,” making its world premiere in the Visions section. I reviewed the film for FilmFactual - head over there to read my review.
The fight for ALS treatment is an invigorating cause in “No Ordinary Campaign,” making its Texas premiere in the Festival Favorites section. I reviewed the film for The Film Experience - head over there to read my review.
The impact of the COVID-19 on the food industry is a fascinating subject for “Food and Country,” making its Texas premiere in the Festival Favorites section. I reviewed the film for The Film Experience - head over there to read my review.
Underdogs in the intolerant world of 1950s golf make an unlikely push towards prominence in “The Long Game,” making its world premiere in the Narrative Spotlight section. I reviewed the film for CinemaDailyUS.com - head over there to read my review.
The high - and sometimes fatal - cost of insulin gets an eye-opening investigation in “Pay or Die,” making its world premiere in the Documentary Feature Competition. I reviewed the film for The Film Experience - head over there to read my review.
America’s queer radio gets its stirring spotlight in “National Anthem,” making its world premiere in the Narrative Spotlight section. I reviewed the film for AwardsWatch - head over there to read my review.