My predictions: 2/5
Who’s missing? Ford v Ferrari, The Irishman, Jojo Rabbit, A Hidden Life
I’ve seen all of these films but I didn’t remember the music from a few of them. That’s especially true of Marriage Story, which upon listening to it is indeed pretty decent and appropriate. Motherless Brooklyn is a bit of a left-field choice, though I did note the moody score in my review from NYFF. I didn’t see the enthusiasm for Joker coming, and I guess the music was a big part of that film’s effectiveness as well. The other two nominees I did expect and remember the music well, and that would be Little Women and 1917. I’ll do a thorough review of the composers nominated when I make my winner predictions.
Who will win? I actually think this goes to Motherless Brooklyn.
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