“Spanish actress Carmen Maura, a frequent muse of Pedro Almodovar’s, is the standout member of the ensemble, playing his Jewish mother with just the right amount of obsessive and protective attention.” It’s fun to recognize Maura in this context and to see her enhance an admittedly entertaining but still strange story.
“Bernal, whose international popularity continues to be strong, has just the right sensibility to play RenĂ©. When asked about being a Mexican actor portraying a Chilean at a Q & A following a public screening at the Sundance Film Festival, Bernal responded that the film tackles far more important issues. Bernal answered a question about why the film is important today by emphasizing its subversive questioning of democracy, something he believes exists to be perfected every day.” His is such a natural performance that it blends seamlessly with the film, and having him play someone so initially detached from the emotion of his work is doubly worthwhile when it becomes clear how invested Bernal is in this story.
“Actress Sofia Oria, who plays Carmencita, is a new face both to Spanish and American audiences, and she draws out the spirit of her character’s struggle ably and compellingly. Maribel Verdu, who had the opportunity to play the heroic rebel Mercedes in “Pan’s Labyrinth,” is superb as Encarna, emoting strongly with her eyes and with her face and delivering a fiercely villainous turn.” These Spanish actresses, one completely new and the other familiar to American audiences from “Pan’s Labyrinth” and “Y Tu Mama Tambien,” in which she starred with Bernal, make this underrated black-and-white interpretation of Snow White a haunting success.
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